On smaller films, the kind with one editor and one assistant, that assistant editor handles all the usual AE duties plus all the VFX Editor tasks. On bigger films, there is at least one VFX Editor, and often there are two or three. I’ve been putting off writing this article for years now because the thought of trying to encapsulate it all in a generically useful way was a bit overwhelming, but here goes… The Job of A VFX Editor ![]() It’s so complicated that films that can afford it will hire a separate VFX Editor just to keep track of the film’s VFX and to create temp comps as placeholders until the VFX come in. Managing VFX is a daunting subject and a big task, even for smaller films.
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